Far enough

Ok, so, I have gotten far enough away to be able to write coherently enough, I think, about a very recent experience. I did a live painting for The Shelter presents Art on Thursday the 27th. I know I fell down on promoting this event. I know I have been somewhat internet silent lately, let’s just say I have been going through some swings in my personal life. Some travel, some big events, etc. I just wanted to give myself a little space and freedom from the prying eyes of the interwobble. Okay? Now let me continue…

So the live painting was not something new for me, I have done live paintings in nightclubs in the past. They are great fun, and would like to be able to do that more often. Usually in nightclubs the general energy of the space is one of upbeat and ‘we are getting laid’ vibes. This theatre piece was definitely not that! There were some serious themes which the writers were exploring, and many of them were very close to home for me. So when I set out the rules for my piece, I was in for a ride.

The Rules

  1. be completely open to all energies in the theatre
  2. paint as long as the actors are working
  3. do not judge my work

So, now I need to describe the play a little bit. There was an interstitial performance art piece which was light hearted and fun that started everything and separated the scenes, and even managed to tie them together. Easy for me to grab ahold of that energy and let it start flowing through me. Then came a piece about Paleo culture and the origins of conflict between ‘manly’ men and ‘beautiful’ men and led to the creation of the first cave paintings, using blood. Of course, I found the identification with the ‘beautiful’ man who can speak with good words and make pictures come to life. Yay! Heavy subject matter did not get too heavy. Interstitial piece. and then

BANG!!!

Heavy shit happened. Mom and Dad in waiting room of child shrink’s office, having an argument and disagreement about how to take care of their kids after the death of his sister. Business suit Dad answered phone and had to leave. Blah, blah, blah. Ok, so I can not really recall all the lines of dialog that went on in this piece, nor am I genuinely capable of determining whether or not the actors were the best in the world but for that moment in time (which stood still for me) I was allowed to witness a dynamic that both terrified and angered me. My responses at this point, following The Rules, were somewhat out of my hands. I threw the canvas off the easel onto the floor. I became the kid who was being talked about. I felt his rage, his fear, his grieving sense of loss and I threw a tantrum, brushes and paint. The canvas became my foe, and we battled royally. The dark themes which were more than hinted at by the writer and actors of the scene were coursing through me and left me wracked with tears on the floor, clutching the canvas, scratching at its surface with my fingers.

Intermission.

The rest of the play was a refinement along these lines. I had recovered my senses somewhat and sought to have the composition which was being crafted in front of me find a resolution. The abstraction which had been created was somewhat gross and disgusting and I did not think I could turn it into a thing of beauty, no matter how much material I dropped on it, or how much energy I poured into it, to me, it is a grotesque thing of horror.

Sunday night, I went to the closing party, where The Shelter was raffling off the works of art created by myself and the ten other painters. i looked at the still drying canvas and felt sorrow and compassion for whomever was unfortunate enough to end up possessing it. I did not want to touch it or to have anything to do with it. I even deferred drawing the name out of the hat because I wanted it to be far, far away from me. Right now, I am not so sure that I can call myself an artist after such a horrible creation has sprung out of me. I do not have a good photograph of this atrocity and plainly will not look for a better photo of it. I hope that no one out there actually sees this work and that it somehow disappears forever.

Working Conditions

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This week is going to be one of lowered productivity as the Midgets are staying in their cages all week long; well perhaps I’ll be taking them out for some cultural enlightenment but for the most part they will just be resting and playing in their little space adjacent to my studio. This will require extra attention and focus from me on their well-being, which is not a terrible use of my time/attention by any means. So, as a result, my studio practice will be less driven than the previous week. I am happy to report that the illumination that I had been working on last week was completed yesterday, and already I have begun another border on a fresh sheet. I am really excited by this new pursuit, especially as I see that there is a great deal of growth potential in this area for myself personally and as an Artist.

Paleo process

Yesterday, I woke up and this was on my easel.

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I had the feeling in my guts that it was a nice start but not finished. That was the results of a couple days worth of work. I started with a piece of plywood, coating it with a mixture of gesso, matte medium and shaving cream until it hardened. I spent a day letting myself listen to music and applying colors in oil and acrylic paints; some of the paints were very wet and thinned while the others were dried and I just scratched them on or rubbed the dust into the surface. So that’s what I woke up to.
Approaching the easel, I felt a deep inner connection with something primal, so it seemed natural that I should try to mimic ancient cave paintings.

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These were too brilliant and not right in my mind, so I began to ‘age’ them by washing the image with highly diluted white acrylic paint.

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Several hours of watching paint dry and several coats of washes later, I felt satisfied with the results. I then slept on this feeling and woke up this morning to check the results. Just to be certain that I was deliberate in my intent, I rested on this piece all day and I feel very confident and pleased that it is indeed finished. Here are the final results.

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One feature of this process that is important to note; surface is very important. In order to emphasis this, I will give you a close up detail of that facet of the work.

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And yet another detail.

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Thank you for viewing. :-)

Adding ideas to ideas

UPDATED: Added photo of business cards.

More paint went onto the latest piece today, some of which I got from my Klout. The deliberation of adding new layers on top of the layers is intriguing. I’d philosophize further but it’s just painting at this point, once I’m done, there will be (hopefully) a completed thought.

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I also had an idea today that was based upon economics. Rather than pay someone to print out a stack of identical business cards to hand out, I’d create a series of tiny pictures to hand out as business cards. This also will serve a double purpose as an answer to the question, “Where can I see some of your work?” by saying, “You can have this piece here. ” This makes me happy to think about. I’ll keep you posted as to how this actually plays out.

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