[podcast]http://nacreo.us/Nacreous/Media/Breathe.mp3[/podcast]
There was a great gaggle of noisy coming out of my entourage this weekend, specifically about the collective need for them to visit the MOMA and see the Marina Abramovic installation The Artist is Present. I warned them that there is to be no fondling the performers, and absolutely no mimicking her. So we went.
I turned on my super-artist sensitivity and absorbed the entire installation; at times I was not even looking at one thing in particular, rather just feeling the emotions which were inspired by the cacophonous environment of competing multimedia pieces occupying vast amounts of gallery space. The pacing and deliberation of all the works, such as the metronome in the Installation for a Artist to Live in, the rhythm of quiet-quiet-explosviely loud in the folk dance and the works with Ulay in which simple movements and standing were mixed together all screamed for seriousness. It is in the shrugging off of any aesthetic which has a scrap of entertainment and forces one to completely dive into the mental, cerebral and conceptual aspects of “serious art”.
Serious Art is something that I think is created by small French children chain smoking Gauloises and questioning the existential meaning of the monkey bars.
What happened to me while I was experiencing all this morbid fascination with the mundane; I got depressed.
I got depressed because I get depressed easily. I got depressed because I recollected experiences from earlier in this decade when I existed in circles of people who did this sort of performance art regularly. I got depressed because one of those people was an X, who idolized/hero worshipped or at least took great inspiration from Marina Abramovic. I got depressed because the works were good enough to touch that depression button, tearing down any bit of my mind that thought that life was worth living and blanking out any affirming messages that might prohibit my depression from spreading further. Rather than continue to subject myself to the perceived nihilistic onslaught, I went to get something to eat.
When my entourage caught up with me, all were excited about discussing this installation. If any of you out there have seen the retrospective of this work, I’d love to have your opinions added to the fray. Please leave a comment below.
