Paleo process

Yesterday, I woke up and this was on my easel.

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I had the feeling in my guts that it was a nice start but not finished. That was the results of a couple days worth of work. I started with a piece of plywood, coating it with a mixture of gesso, matte medium and shaving cream until it hardened. I spent a day letting myself listen to music and applying colors in oil and acrylic paints; some of the paints were very wet and thinned while the others were dried and I just scratched them on or rubbed the dust into the surface. So that’s what I woke up to.
Approaching the easel, I felt a deep inner connection with something primal, so it seemed natural that I should try to mimic ancient cave paintings.

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These were too brilliant and not right in my mind, so I began to ‘age’ them by washing the image with highly diluted white acrylic paint.

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Several hours of watching paint dry and several coats of washes later, I felt satisfied with the results. I then slept on this feeling and woke up this morning to check the results. Just to be certain that I was deliberate in my intent, I rested on this piece all day and I feel very confident and pleased that it is indeed finished. Here are the final results.

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One feature of this process that is important to note; surface is very important. In order to emphasis this, I will give you a close up detail of that facet of the work.

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And yet another detail.

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Thank you for viewing. :-)

A new step

Taking the Celtic knots I was drawing last winter combining it with the material experiments of DJ Random’s Didactic Mixtape; I am setting off in a new direction of style. No longer do I fear that the abstracts will kill me, it feels bold and powerful to harness the raw energy of the universe. Increasing the scale of the work also is giving me more of a sense of freedom and joy. This piece may or may not be complete, but it is at a point of pause. 20111219-104628.jpg