Working Conditions

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This week is going to be one of lowered productivity as the Midgets are staying in their cages all week long; well perhaps I’ll be taking them out for some cultural enlightenment but for the most part they will just be resting and playing in their little space adjacent to my studio. This will require extra attention and focus from me on their well-being, which is not a terrible use of my time/attention by any means. So, as a result, my studio practice will be less driven than the previous week. I am happy to report that the illumination that I had been working on last week was completed yesterday, and already I have begun another border on a fresh sheet. I am really excited by this new pursuit, especially as I see that there is a great deal of growth potential in this area for myself personally and as an Artist.

The Soul & The Bishop

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Exploring a deeper connection to spiritual aspects of life while trying to keep a festive and joyful attitude about me yields some interesting results. I am quite pleased with the technical progress as well as the overall composition however it seems like there is something that still needs to be included; maybe someone can offer some suggestions.

Watercolor from Life (Red Clay edition)

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A discovery yesterday that there are Red Clay Tennis Courts in Manhattan inspired me to paint the scene. I slightly abstracted the landscape because I wanted to just dash it out and draw more emphasis to the red court than to the details like the number of leaves or people or buildings in the deep background. Also because I was concentrating more on the red rectangular shape, the application of color was sort of backwards, at least in regard to being able to utilize layering of pigment. But if you look closely It was a fun exercise, just for you to see what I was working from here is a photograph of the view.

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Later in the day, I went to the opening of a group show at Allegra LaViola Gallery. It was a pleasant ending to the day. I rather enjoyed the candy like plexiglass pieces on the wall which created multihued geometric patterns of light in the shadows. I also enjoyed the very large string installation in the corner; quite reminded me of a spider’s web that looked to be a hip place to hang out if you happen to be a spider. I was unable to stay very long, as lots of people began to arrive and my agoraphobia began to make it difficult to breathe. Some other time, I’ll be able to stop and congratulate the artists who dazzled me with such pretty shiny things.

Fast Dash of Watercolor

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I have several active Moleskine notebooks at the moment, and they are all starting to become more and more valuable to me as laboratories for ideas. Now that the holiday weekend is over and I am able to get back to the quiet solitude of the apartment, I opened my medium sized Moleskine; it was my large one until I found an even greater folio at the art supply store recently; and dashed off a quick watercolor idea. It was more of a reflection and I immediately became aware that I was pulling up information stored in my memory banks. The really fun thing about this is that I did not intend to choice to do this, at least not in an overt and conscious manner, however it is what came up.

The curve of the horizon and the color tone of the earth reminded me of the rolling hills south of Adelaide. There is a specific quality to the light in that part of the world that seemed to me to be portrayed in the first strokes of my brush and I was transported back to the highway that runs by the vineyards growing in route to the beaches. Dotting the hills like little pats of a dry brush the vines create a somewhat geometric pattern that is disturbed by the fuzzy unpredictable details of nature. When the land was not serving as a cultivated plot, the nature foliage gave the hills a lush green appearance and the they seemed in perfect concert with the sky that hovered just out of reach of all us beings trapped upon the surface of this planet.

This is the first dash of my brush in the morning and this is what happens nearly everytime, I drag a brush through pigment, something inside my head becomes activated an emotion or a memory of an emotion is revived and live is lived or relived through the experience of painting. It is certainly something which I do not wish to extinguish, nor to I really believe that I could.

Lots of working

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The last couple of days, I have had a great deal of solitude which is purported to be The No. 1 Habit of Highly Creative People. So it will come as little surprise that there has been a burst of activity. Several paintings have emerged; smaller works that were created in a batch will be sold in an online store (once I set it up), while larger works are beginning to be created as well.

The smaller works are a series I am calling “Five and Dime Trees”. These emerged from my works in Moleskine notebooks using felt pens; having discovered a style of rendering that is simplistic and beautiful while making great use of negative space has been very engaging as a process. It seemed natural that this should come out of the notebooks and make it onto larger works in a different medium. The translation from notebook to cardboard sheet works nicely for the style and the subject matter. The reason the smaller pieces are called five and dime is because I aim to sell them online for $5 or $10.

Now this means I need to do some administration work to get that store set up.

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The above painting is a special project which had been order by an Advertising VP to hang their office on Madison Avenue. I’m pleased with the result. As you can see the style is sort of impressionistic but highly informed by ancient Chinese and Japanese calligraphy images, while the dots are deliberate references to the Aboriginal desert paintings. This particular piece is a memory of a trip through Queensland that resulted in a visit to Black Rock Mountain after a night in the rainforest.